Yesterday the news was great all right. Today I again asked Gerd because of the play and he just said that I should worry about it yet. It will then be incorporated also into the musical, which of course is even cooler.
mid November I had a 2-day drama workshop made at the State Theatre, which I really enjoy. Our workshop leader, Jorg Wesemüller was also really nice and I was then asked at the end of the workshop to give him my phone number. He found me really well and I would like to have the youth club of the National Theatre, but should still see if I could join there, because it had already started in September.
Today I finally got a call from him (I thought so, that he no longer calls): He wants to have me here and it's all clear! =) This weekend I have my first rehearsal and then about every other weekend. "I am really that you want to join because stop such people as you need we have and I would very much like to work with you! "Something like you to hear.
I'm really excited because I absolutely have no idea what it is going to follow the play. Will I learn everything on Sunday, but the last two pieces of "coup de grace" and "Being Macbeth schonmal sounded very interesting and I do think that it will go in a similar direction.
the way, will premiere on 22 or 23 his May 2009 in the old fire station. So now you know already, what will you plan for your this day =)
Being Macbeth
After the successful debut last season with a * coup de grace! "Deals of the youth club of the Saarland State Theatre this year with Shakespeare's tragedy Macbeth *". It's not about the staging of the tragedy, but motifs from Macbeth * "of the 22 young people from the youth clubs will be related to their own experiences related: power games, role-playing to a loss of reality, violent fantasies ... Based on an everyday situation - a Saturday evening in a playground - mingle more and more scenes from Shakespeare's tragedy in the history of youth, and the two worlds are no longer distinguish the spiral of violence and unstoppable - and very real -.
continues to rotate
Jörg Wesemüller
The trained communication electronics in 1995 took on the study of drama at the Bavarian Theater Academy August Everding in Munich. Until 1999, he completed various internships and assistantships in dramaturgy and directing at the Bavarian Staatsschaupiel in Munich (among others Andreas Kriegenburg and Klaus Emmerich) and the Burgtheater in Vienna. Jörg Wesemüller worked as a guest editor at the State Theatre in Linz / A and as story editor and assistant director at the playhouse castle (Theatre of Youth in Munich). There he worked with the Youth Club and was a lecturer for the Abitur dramatic figures on the Nymphenburg Gymnasium in Munich. Right after his graduation he began the 2001/2002 season as story editor and director in Konstanz.
The trained communication electronics in 1995 took on the study of drama at the Bavarian Theater Academy August Everding in Munich. Until 1999, he completed various internships and assistantships in dramaturgy and directing at the Bavarian Staatsschaupiel in Munich (among others Andreas Kriegenburg and Klaus Emmerich) and the Burgtheater in Vienna. Jörg Wesemüller worked as a guest editor at the State Theatre in Linz / A and as story editor and assistant director at the playhouse castle (Theatre of Youth in Munich). There he worked with the Youth Club and was a lecturer for the Abitur dramatic figures on the Nymphenburg Gymnasium in Munich. Right after his graduation he began the 2001/2002 season as story editor and director in Konstanz.